Red Lily
4" X 4" Linoleum Block Print
One block, four colors
I’m in a block printing workshop in an airy, old barn, facing a set of double doors wide open to a grassy garden outside. It’s mid-summer in Maine and I am perfectly happy. I have my own work space and everything I need – a linoleum block, carving tools, an inking plate, spatulas for smearing ink onto the plate, all the colors I could want, soft rubber brayers to take the ink from the plate to the block, Japanese rice paper – wonderfully transparent, incredibly strong – a wooden kitchen spoon to rub the ink from the block onto the paper, and a peanut butter and jelly sandwich.
There are four of us in the workshop.
We are guided by Holly Berry, a Maine printmaker who does fabulous work. Check out her website.
We are using the reduction technique to make multi-color prints – a mysterious and miraculous method that I haven’t been able to manage on my own. Holly is revealing her secrets. Using one linoleum block, we carve out one color at a time, print, carve out another color, print, and so on, until our printmaking is done. I will print four colors – yellow, red, green, and black.
We are using the reduction technique to make multi-color prints – a mysterious and miraculous method that I haven’t been able to manage on my own. Holly is revealing her secrets. Using one linoleum block, we carve out one color at a time, print, carve out another color, print, and so on, until our printmaking is done. I will print four colors – yellow, red, green, and black.
I am creating a flower from our garden -- a red lily.
As I carve and print, I build up an easy rhythm – carve the block, ink the stone, roll the brayer , ink the block, press the paper, check for color, ink some more.
I lay my inked sheets on the barn floor alongside a wall where no one will step on them. I am so absorbed I forget to eat my sandwich. Lightheaded, wobbly kneed, I am completely content taking one step at a time, building up layers of color.
First five white stripes on a field of yellow.
Then deep red petals surrounding yellow pistels, stamens, and one bud.
Then a blue-green background to the fluting of red petals.
Finally the key block, the black outline that defines my flower.
Until I have an edition of ten prints of a red day lily from our garden.
Reluctantly, I stop printing and start cleaning up my mess.
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This program keeps inserting text background colors indiscriminately. I've made it red to match my actual background -- sort of, but I wish I knew how to get rid of it altogether.
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This program keeps inserting text background colors indiscriminately. I've made it red to match my actual background -- sort of, but I wish I knew how to get rid of it altogether.
